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Robert Laurence Binyon, CH (10 August 1869 – 10 March 1943)〔(Spartacus.schoolnet.co.uk )〕 was an English poet, dramatist and art scholar. His most famous work, ''For the Fallen'', is well known for being used in Remembrance Sunday services. ==Pre-war life== Laurence Binyon was born in Lancaster, Lancashire, England. His parents were Frederick Binyon, and Mary Dockray. Mary's father, Robert Benson Dockray, was the main engineer of the London and Birmingham Railway. The family were Quakers.〔(Dictionaryofarthistorians.org )〕 Binyon studied at St Paul's School, London. Then he read Classics (''Honour Moderations'') at Trinity College, Oxford, where he won the Newdigate Prize for poetry in 1891. Immediately after graduating in 1893, Binyon started working for the Department of Printed Books of the British Museum, writing catalogues for the museum and art monographs for himself. In 1895 his first book, ''Dutch Etchers of the Seventeenth Century'', was published. In that same year, Binyon moved into the Museum's Department of Prints and Drawings, under Campbell Dodgson.〔 In 1909, Binyon became its Assistant Keeper, and in 1913 he was made the Keeper of the new Sub-Department of Oriental Prints and Drawings. Around this time he played a crucial role in the formation of Modernism in London by introducing young Imagist poets such as Ezra Pound, Richard Aldington and H.D. to East Asian visual art and literature.〔Arrowsmith, Rupert Richard. (''Modernism and the Museum: Asian, African and Pacific Art and the London Avant Garde'' ). Oxford University Press, 2011, pp.103–164. ISBN 978-0-19-959369-9 *Also see Arrowsmith, Rupert Richard. ("The Transcultural Roots of Modernism: Imagist Poetry, Japanese Visual Culture, and the Western Museum System" ), ''Modernism/modernity'' Volume 18, Number 1, January 2011, pp. 27–42. ISSN: 1071-6068.〕〔(Video of a Lecture discussing Binyon's role in the introduction of East Asian art to Modernists in London ), ''School of Advanced Study'', July 2011.〕 Many of Binyon's books produced while at the Museum were influenced by his own sensibilities as a poet, although some are works of plain scholarship – such as his four-volume catalogue of all the Museum's English drawings, and his seminal catalogue of Chinese and Japanese prints. In 1904 he married historian Cicely Margaret Powell, and the couple had three daughters. During those years, Binyon belonged to a circle of artists, as a regular patron of the Wiener Cafe of London. His fellow intellectuals there were Ezra Pound, Sir William Rothenstein, Walter Sickert, Charles Ricketts, Lucien Pissarro and Edmund Dulac.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Laurence Binyon」の詳細全文を読む スポンサード リンク
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